The Spirit of Tarot - the search for God's picture book exhibition

 The Spirit of Tarot : The Search for God's Picture book is an exhibition at the Graduate Theological Union, in Berkeley California from 28 October 2021 to January 28, 2022. At the moment is it only an in-person exhibition, but it will probably become an online one next year, according to the exhibition archivist David Stiver.

The exhibition is entitled The Spirit of Tarot : the search for God's picture book and is introduced with a quote from the book, The Tarot of Lenora Carrington.

The tarot is not meant solely for divination purposes. Each suggest navigation devices where a poetics of the unconscious is available for immediate exploration. These cards may be consulted as subliminal objects, separate from rationality; they give access to magical environments. Because the subliminal body might be conceived as an out-of-the-body experience, it also entails a liberation from the rational corporeal form. The body is able to travel through subconscious doorways. - Susan Aberth and Tere Arcq (Fulgur Press, 2021)

The Graduate Theological Union is a private college founded to support graduate theological education and promote ecumenical and interreligious dialogue, the GTU’s location enabled access to the resources of the University of California, Berkeley, as well as with Stanford University according to the website www.gtu.edu

My work was submitted for consideration to be included in the exhibition by Prof Kate Barush, author of Imaging Pilgrimage. See my previous post.

http://bookofmarysacredheart.blogspot.com/2021/10/imaging-pilgrimage-art-as-embodied.html

 

A selection of 12 tarot decks were chosen for the exhibition, reflecting an inter-spiritual, intercultural spectrum and both the Mysteries of Mary and the Mysteries of the Black Madonna have been included. According to David Stiver, the exhibition is done in a circle with each display facing the centre. My decks are flanked by Vicky Noble's Motherpeace and Paul Foster Case's Bota tarot deck.

 

Other decks included are The Cards of U'Ut by Ellis Nadler, The Tarot by Lenore Carrington, The new tarot for the Aquarian Age by John Starr Cooke and Rosalind Sharpe, The Jungian Tarot by Robert Wang, The Native American Tarot by Magda Weck Gonzalez, The Bay Area Tarot by Melina Alexa Ramirex, The Hoodoo Tarot by Tayanna Quillar and the Rider-Waite tarot.

What an incredible honour for the Mysteries of Mary and the Mysteries of the Black Madonna to be included in this selection!

blessings

Hettienne

Imaging Pilgrimage: Art as Embodied Experience by Kathryn Barush

 

Imaging Pilgrimage: Representations of Sacred Space in Contemporary Art

by Kathryn Barush published by Bloomsbury Visual Arts 2021

In her book Imaging Pilgrimage, Kathryn Barush brings together the study of medieval representations of pilgrimage to a number of contemporary art that is created after a pilgrimage and intended to act as a catalyst for others to experience, grace, healing and contemplation.  I am so honoured that she included my work with sacred altars and pilgrimage into this beautiful and enlightening book.

Images from Kathryn Barush's Instagram posts

One of the chapters in the book is dedicated to 'South African artist Hettienne Grobler (Sri BhaktymayiMa), who creates shadowboxes of assemblages of souvenirs collected

from Lourdes, in dialogue with medieval art which is rooted in the same impulses

of memory, imagination, and devotion.  

In addition to Marian imagery, Grobler also draws from Bhakti theology, and widening the aperture, her work forms an important case study to show that art that

engages two or more traditions can be used as a window into a dialogical

approach to comparative religion.'

The chapter is sub-divided into

'How and why an apparition was first 'made material''

'Mary, materiality, and message: a pilgrimage through art'

'Water, water everywhere! The Lourdes replica tradition

'Bhakti the essence of this love relationship that one experiences with the Divine.

I think one can describe bhakti as 'being absolutely madly in love.'

At first one is in love with God and the realizations that God is 'in love'

with you; then this expands and you start to see love in everything

and eventually you see the 'face of God' in everyone and everything.'

'For Grobler, 'love' is the foundation of her personal beliefs and the visual

expression it finds, and she acknowledges that this means that she can relate

to many religions and paths.  

As with her other Marian art, Grobler's Black Madonna deck has been a deep dive

into this imagery and a prayerful experience.  It has also been a way to explore

'how far back racism has been forcefully applied and internalised. One cannot really separate the Black Lives Matter ideology and the Black Madonna and I have at times felt such

awe that this deck is being created in these times'

Her social media posts with images of these works-in-progress have been interspersed

with essays on the Black Madonna as a way to celebrate Black Lives.

Although less overtly political, Grobler's project has every

potention to be a powerful tool for reflecting on, and advocating the

abolishment of, anti-Black racism through the Hindu and Catholic

theologies that her work engenders, via both her artistic process

and the iconological content.

Kathryn first approached me a few years ago and we have had 'conversations' online

and through email.  This is an incredible book;  Katryn has a wonderful way of using

language and she has opened my eyes to the incredible wealth of medieval texts and

research and her own incredible understanding and sensitivity to art as a vehicle of religion across all traditions.  This in-depth work has underscored all that I experienced within myself.  I regard

myself as 'one who walks between two worlds' and Kathryn is a kindred soul.

Dr Barush is Thomas E. Bertelsen Jr. Associate Professor of Art History and Religion

Dr. Barush received a D.Phil. from Wadham College, University of Oxford in 2012 and has held positions as Postdoctoral Research Associate at the Center for Advanced Study in the Visual Arts at the National Gallery of Art in Washington, D.C. and as curatorial assistant at the Yale University Center for British Art.  She is the author of the monograph Art and the Sacred Journey in Britain, 1790-1850 (London: Routledge). Shifting the focus to the present day, Dr. Barush's current book project (Imaging Pilgrimage: Art as Embodied Experience, Bloomsbury Visual Culture) explores the transfer of 'spirit' from sites to representations through a critical examination of contemporary art (including assemblages of souvenirs, built environments, and reconstructions of sacred sites) created after or during pilgrimages with the intent to engender the experience for others. 

Dr. Barush takes an interdisciplinary approach to art history and is especially interested in expressions of belief across a number of religious traditions. She values a contextual and hands-on approach to learning - her students closely study ritual objects and sacred artworks up-close and in person wherever possible. Such objects, especially in places of prayer and worship but also as re-contextualized in the secular space of public museums, offer crucial insights into the study of historic and contemporary lived religion, devotional practice, and popular piety.

In addition to her research and writing, Dr. Barush is an advisor to the British Pilgrimage Trust and a member of the advisory network of the Yale Center for Material and Visual Cultures of Religion. She is also an avid walker and has led a group of graduate student pilgrims along the Camino Ignaciano in Spain.  

Follow Dr. Barush' adventures and research on Twitter @pilgrim_travels

From the website of the Graduate Theological Union -  https://www.gtu.edu/faculty/kathryn-barush